Ving Rhames brings his usual reliability as Foley's right hand man, Buddy Bragg while Steve Zahn adds welcome comic relief as stoner, Glenn Michaels. He's accompanied by a stellar supporting cast too Jennifer Lopez is not normally someone I'd rate very highly but she delivers some strong work as the doggedly determined Federal Marshall and shares great chemistry with Clooney. He brings the requisite charm and charisma and it remains one of his most perfectly suited roles to this day. In bringing them to the screen, Soderbergh assembles a rich gallery of performers despite Leonard envisioning Jack Nicholson or Sean Connery as Jack Foley when he sold the film rights of his novel, it's a role that fits Clooney like a glove. The mood is also helped by an excellent score by David Holmes that taps into a 70's caper vibe while Soderbergh employs a whole host of stylistic, directorial flourishes he cleverly plays with the time frame throughout the narrative with complex use of flashbacks and freeze frames and puts a fresh spin on film noir.Īnyone familiar with Leonard's novels will be fully aware of his colourful characters and sharp, snappy dialogue. Opening with the most remarkably cool and composed bank robbery you're ever likely to see, it's clear from the offset that Soderbergh and Clooney are on very fine form. However, Foley has to contend with other ex-cons with the same idea while evading the law and his infatuation with US Marshall Karen Sisco (Jennifer Lopez). After a recent breakout, he heads for Detroit to pull off his final job by relieving tycoon Richard Ripley (Albert Brooks) of his uncut diamond stash. Jack Foley (George Clooney) is a career bank robber that's done his fair share of jail time. Steven Soderbergh then rounded them off with this stylish film that, arguably, handed George Clooney the first role that suited him as a fully fledged leading man.
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There were other TV Movies like Gold Coast and Pronto, Paul Schrader's misjudged Touch and the short lived TV series Maximum Bob. John Travolta would follow-up Pulp with an adaptation of Leonard's Get Shorty and Tarantino himself adapted Rum Punch into Jackie Brown. After the release of Quentin Tarantino's hugely influential Pulp Fiction in 1994, crime became cool again and Elmore Leonard became the go-to guy for the material. However, around the mid 90's there was somewhat of a reinvestment in his work. Majestyk are just some of the more familiar ones.
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It's no Oceans' Eleven, but it's definitely something worth watching.Įlmore Leonard had been writing crime and western novels as far back as the 1950's and has had numerous adaptations of his work: Paul Newman in Hombre, Clint Eastwood in Joe Kidd and Charles Bronson in Mr. There isn't a whole lot more you can ask from a movie. With that said, Out of Sight is undeniably fun, smart, and re-watchable. It's obviously intentional on Soderbergh's part, but the weird pauses in shots before transitions to a new scene just seemed weird. The editing is also something I couldn't entirely get behind. I mean that in the most respectful way possible, it's just the vibe I got from it. For one, the music they used seemed like something out of a cheesy adult film. Part of it is because the way films were made in the 90's was way different than it is now. The best part is, no one takes their jobs too seriously, but well enough to be effective.Īs I previously mentioned, Soderbergh's directing is a little dated. Jackson round out one of the best ensemble casts of all time. Clooney, Lopez, Cheadle, Zahn, Rhames, Keener, Farina, Brooks, Davis, Keaton, and the one and only Samuel L. Unsurprisingly for a Soderbergh film, the cast as a whole is phenomenal. And Lopez, who isn't known for her acting, is actually quite good as Karen Sisco.
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Clooney does as good as he can playing bad-boy Jack Foley, but I'm not sure I can ever accept that face of his as an antagonist. But their romance is well-acted on both sides. It's been done a thousand times over, and it's not like this time it's all that groundbreaking. An underappreciated FBI agent falls for the very guy she's trying to take down. On the outside, the romance between Jennifer Lopez and George Clooney is flooded with clichés.
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It's one of Steven Soderbergh's more dated films, being that it was made 20 years ago, but it's also one of the sharpest in terms of dialogue and performances. It's not that Out of Sight is some sort of monumental motion picture, however, it's a perfectly harmless feature film that entertains from beginning to end.